Opening Reception: Marlene Creates: Places, Paths, and Pauses

The Dalhousie Art Gallery is pleased to present an Opening Reception and Exhibition Tour for the exhibition Marlene Creates: Places, Paths, and Pauses. The artist and curator Susan Gibson Garvey will be in attendance for both events.

OPENING RECEPTION: Thursday 8 March at 7 PM
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EXHIBITION TOUR: Saturday 10 March at 2 PM
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Exhibits and Displays



Dalhousie Art Gallery



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More about the exhibition:

Marlene Creates
Places, Paths, and Pauses



This nationally-touring retrospective exhibition presents the work of prominent Newfoundland-based environmental artist and poet Marlene Creates, offering viewers a comprehensive and immersive experience of nearly four decades of her unique activities. Internationally-known for her work in photography, mixed media assemblages, and (more recently) prizewinning videos and poetry, Creates’s projects explore the complex and layered relationships between people and the natural world they inhabit. “Underlying all my work,” says Creates, “is the idea of place—not as a geographical location but as a process that involves memory, multiple narratives, ecology, language, and both scientific and vernacular knowledge.”

Since the mid-1970s Creates’s work has been presented in over 350 exhibitions and screenings, and it is represented in numerous public collections. For this exhibition, curators Susan Gibson Garvey and Andrea Kunard brought together over sixty works from collections across the country, including from the National Gallery of Canada, and from the artist herself, providing a rare opportunity to explore the range of her practice, and to locate it within larger critical, cultural, and ecological contexts.

From her earliest ephemeral gestures in the land (when she first stepped away from the studio to work outside) to her latest immersion in the boreal forest that surrounds her home, Creates has chosen a path that privileges the act over the artifact, the moment over the monument. Central to her practice is her use of photography, not only as a documentary medium (recording, for example, her temporary landworks) but also as an arena in which ideas are performed, as a means of questioning what we see, and, through sequential images and grids, as a means of linking the viewer with cyclical natural processes. Creates’s impeccable photographic technique, her formal restraint and elegance, and her avoidance of the spectacular or indulgently picturesque, allows quiet, revelatory experiences to unfold.

The exhibition follows Creates’s journey from solo actions in the land to works that examine the intersections of nature and culture, as she introduces hand-drawn mapping and stories, video and poetry, into her practice. Always held in tension with the visual, the sounds and meanings of words enrich many of Creates’s projects. They are drawn from narratives of ancestral lands in her series titled The Distance Between Two Points is Measured in Memories, Labrador 1988, assembling stories and memory maps by displaced indigenous Labradorians; they are written across the Canadian landscape in public signage (wryly investigated in her mid-career series Signs of Our Time, 1992-2003); and they are discovered in local vernacular terms for naturally occurring phenomena (as in the multi-media works of A Newfoundland Treasury of Terms for Ice and Snow, 2011-14). The artist’s subtle poetic awareness finds its most recent expression in her videos and site-specific activities in The Boreal Poetry Garden.

Marlene Creates: Places, Paths, and Pauses is accompanied by a beautifully illustrated hard-cover book, co-published by Goose Lane Editions and the Beaverbrook Art Gallery. Essays by co-curators Gibson Garvey and Kunard, as well as by guest writers Robert Macfarlane, Joan M. Schwartz, and poet Don McKay illuminate the artist’s aesthetic and ethical stance. The artist’s own commentary runs throughout, underscoring the interdependence between the natural world and the cultural construction of place, and the many ways in which we might experience, describe, remember, and care for it.

Organized by the Beaverbrook Art Gallery, Fredericton, in partnership with Dalhousie Art Gallery, this exhibition has received generous support from the Museums Assistance Program (MAP) of Heritage Canada and the Canada Council for the Arts. From Dalhousie, the exhibition will continue its tour, with appearances in Charlottetown (summer 2018), Ottawa (summer 2019), and St. John’s (fall/winter 2019).



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